SanteMusiqueV1, Main, Exploration, bibRecord, 001766

Relationships between behavior, brainstem and cortical encoding of seen and heard speech in musicians and non-musicians.

Identifieur interne : 001766 ( Main/Exploration ); précédent : 001765; suivant : 001767

Relationships between behavior, brainstem and cortical encoding of seen and heard speech in musicians and non-musicians.

Auteurs : Gabriella Musacchia [États-Unis] ; Dana Strait ; Nina Kraus

Source :

Hearing research [ 0378-5955 ] ; 2008.

RBID : pubmed:18562137

Descripteurs français

English descriptors

Abstract

Musicians have a variety of perceptual and cortical specializations compared to non-musicians. Recent studies have shown that potentials evoked from primarily brainstem structures are enhanced in musicians, compared to non-musicians. Specifically, musicians have more robust representations of pitch periodicity and faster neural timing to sound onset when listening to sounds or both listening to and viewing a speaker. However, it is not known whether musician-related enhancements at the subcortical level are correlated with specializations in the cortex. Does musical training shape the auditory system in a coordinated manner or in disparate ways at cortical and subcortical levels? To answer this question, we recorded simultaneous brainstem and cortical evoked responses in musician and non-musician subjects. Brainstem response periodicity was related to early cortical response timing across all subjects, and this relationship was stronger in musicians. Peaks of the brainstem response evoked by sound onset and timbre cues were also related to cortical timing. Neurophysiological measures at both levels correlated with musical skill scores across all subjects. In addition, brainstem and cortical measures correlated with the age musicians began their training and the years of musical practice. Taken together, these data imply that neural representations of pitch, timing and timbre cues and cortical response timing are shaped in a coordinated manner, and indicate corticofugal modulation of subcortical afferent circuitry.

DOI: 10.1016/j.heares.2008.04.013
PubMed: 18562137
PubMed Central: PMC2701624

Affiliations:

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<term>Age Factors (MeSH)</term>
<term>Audiovisual Aids (MeSH)</term>
<term>Auditory Cortex (physiology)</term>
<term>Auditory Pathways (physiology)</term>
<term>Auditory Perception (MeSH)</term>
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<term>Cues (MeSH)</term>
<term>Evoked Potentials, Auditory (MeSH)</term>
<term>Evoked Potentials, Auditory, Brain Stem (MeSH)</term>
<term>Female (MeSH)</term>
<term>Humans (MeSH)</term>
<term>Male (MeSH)</term>
<term>Memory (MeSH)</term>
<term>Music (MeSH)</term>
<term>Neuronal Plasticity (MeSH)</term>
<term>Periodicity (MeSH)</term>
<term>Pitch Perception (MeSH)</term>
<term>Reaction Time (MeSH)</term>
<term>Speech (MeSH)</term>
<term>Speech Perception (MeSH)</term>
<term>Time Perception (MeSH)</term>
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<term>Cortex auditif (physiologie)</term>
<term>Facteurs âges (MeSH)</term>
<term>Femelle (MeSH)</term>
<term>Humains (MeSH)</term>
<term>Musique (MeSH)</term>
<term>Mâle (MeSH)</term>
<term>Mémoire (MeSH)</term>
<term>Parole (MeSH)</term>
<term>Perception auditive (MeSH)</term>
<term>Perception de la hauteur tonale (MeSH)</term>
<term>Perception de la parole (MeSH)</term>
<term>Perception du temps (MeSH)</term>
<term>Plasticité neuronale (MeSH)</term>
<term>Potentiels évoqués auditifs (MeSH)</term>
<term>Potentiels évoqués auditifs du tronc cérébral (MeSH)</term>
<term>Périodicité (MeSH)</term>
<term>Signaux (MeSH)</term>
<term>Stimulation acoustique (MeSH)</term>
<term>Supports audiovisuels (MeSH)</term>
<term>Temps de réaction (MeSH)</term>
<term>Tronc cérébral (physiologie)</term>
<term>Voies auditives (physiologie)</term>
<term>Études cas-témoins (MeSH)</term>
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<term>Voies auditives</term>
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<term>Female</term>
<term>Humans</term>
<term>Male</term>
<term>Memory</term>
<term>Music</term>
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<term>Periodicity</term>
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<front><div type="abstract" xml:lang="en">Musicians have a variety of perceptual and cortical specializations compared to non-musicians. Recent studies have shown that potentials evoked from primarily brainstem structures are enhanced in musicians, compared to non-musicians. Specifically, musicians have more robust representations of pitch periodicity and faster neural timing to sound onset when listening to sounds or both listening to and viewing a speaker. However, it is not known whether musician-related enhancements at the subcortical level are correlated with specializations in the cortex. Does musical training shape the auditory system in a coordinated manner or in disparate ways at cortical and subcortical levels? To answer this question, we recorded simultaneous brainstem and cortical evoked responses in musician and non-musician subjects. Brainstem response periodicity was related to early cortical response timing across all subjects, and this relationship was stronger in musicians. Peaks of the brainstem response evoked by sound onset and timbre cues were also related to cortical timing. Neurophysiological measures at both levels correlated with musical skill scores across all subjects. In addition, brainstem and cortical measures correlated with the age musicians began their training and the years of musical practice. Taken together, these data imply that neural representations of pitch, timing and timbre cues and cortical response timing are shaped in a coordinated manner, and indicate corticofugal modulation of subcortical afferent circuitry.</div>
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Relationships between behavior, brainstem and cortical encoding of seen and heard speech in musicians and non-musicians.

Relationships between behavior, brainstem and cortical encoding of seen and heard speech in musicians and non-musicians.

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